In this silent, classic example of early German expressionism, this cinematic landmark relates the stylized tale of a Dr. Caligari, a fairground showman who hypnotizes an innocent villager--turning him into a sleepwalking "zombie"--and compels him to carry out fiendish murders. A landmark in world cinema, Robert Weine's one-of-a-kind thriller features fantastical, heavily stylized sets, anti-realist acting, and evocative subjective camerawork.
Friday, March 29, 2013
Saturday, March 16, 2013
DER GOLEM (1920)
Saturday, March 9, 2013
VAMPYR (1932) CARL THEODOR DREYER
With Vampyr, Danish filmmaker Carl Theodor Dreyer's brilliance at achieving mesmerizing atmosphere and austere, profoundly unsettling imagery (as in The Passion of Joan of Arc and Day of Wrath) was for once applied to the horror genre. Yet the result-concerning an occult student assailed by various supernatural haunts and local evildoers at an inn outside Paris-is nearly unclassifiable, a host of stunning camera and editing tricks and densely layered sounds creating a mood of dreamlike terror. With its roiling fogs, ominous scythes, and foreboding echoes, Vampyr is one of cinema's great nightmares.
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